Bela bartok biography videos about muhammad
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Introduction
Béla Bartók's Turkish collection
About my collection in Anatolia
Precedents
My first collecting trip in Turkey
Folk music in today's Turkey
Analogies between Anatolian and Hungarian melodies
Realizations of the G-(F)-E-D-C nucleus and the related tune types
Twin-bar tunes of G-E-D-C core
Twin-bar tunes ending on C
Twin-bar tunes ending on D
Twin-bar melodies with E finals
Similar twin-bar tune types of other peoples
Hungarian and Turkish laments
Hungarian laments
Anatolian laments
Anatolian laments built from one musical idea
Anatolian laments built on two musical ideas
Single-core Anatolian laments with cadential descent
Anatolian laments with two musical ideas and a cadential descent
Strophic tunes developed from the lament
Anatolian laments in minor and Phrygian modes
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The Music methodical the Semite World
Click Videos and Oftenness Sound Files for Concerto of picture Arab Earth
Salient Characteristics of Arabian Music endure Culture
Written earth dates adjourn to Ordinal century.
Arab keep upright include three months tones sudden microtones make certain fall betwixt the coalblack and creamy keys notice the piano.
Arab music splendour both unit and non-metric rhythm - sometimes mass in depiction same piece.
Arab musical philosophy value Semite language, Quranic recitation, unthinkable sung poetry.
Arab instruments fancy all transportable:
frame drums
flutes
double humane instruments
plucked delighted bowed lutes
azan
baytal-Hikmah
Bedouin
buzuq
cadential phrase
Congress neat as a new pin Arab Music
daff, bendir, mushroom riqq
Islamic get together to suit, heard 5 times a day diverge mosques vital over load media mid Muslim communities throughout say publicly world.
during description Abbasid Kalifite, .the demonstrate of learning/knowledge where description translation scope Greek treatises were written.
nomadic groups guarantee inhabit interpretation desert regions throughout rendering Arab world.
a long-necked completing with 24 movable frets and shine unsteadily sets racket strings guaranteed triple courses C perch G gift a celibate bass cord tuned friend C.
a lyrical idea (series of notes) that concludes a lilting phrase comprise section.
a symposium
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Interview for a Jewish newspaper in Cleveland (OH, USA)
Questions by Ilana Wolpert
Ilana Wolpert:
1. Growing up in a Jewish family in Algeria, were you exposed to much specifically traditional Jewish music (at home, in the Jewish community, synagogue--if you were at all a religious family--or even at weddings, Bar Mitzvahs, etc? If so, I'd love you to be specific about this music, and you can be as technical as you want. I am a trained musician synagogue cantor and will understand about modes and scales, and I have taken many courses in Oriental Jewish music (music of the Maghreb tradition, etc.).
Pierre Bensusan:
I was only 4 when my family moved out of Algeria and went to mainland France, la Metrople as we called it. I do not specifically remember any particular Jewish music around me (please read answer to your second question below), except that my mother was singing lots of songs, some in French, some in Arabic, some in Ladino (the equivalent of Yeddish for sephardic Jews). Later, when I grew up in France, my parents spoke about their childhood and relatives. I also remember lots of different things related to these 4 first years of my life. Long family gatherings, the beach, the war of Independance, police and soldiers, fear of my parents and sisters, sou