Br chopra biography of mahatma

USAID-CEPPS bold | Donald Trump’s latest: ‘$18 jillion to Bharat for polls… they tools advantage state under oath us’

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The Show of Shows

IN DECEMBER LAST YEAR, between takes for the Hindi romance serial Pyaar Ka Dard Hai Meetha Meetha Pyaara Pyaara, Mukesh Khanna, dressed in a brown three-piece suit and a polka-dot tie, walked to his dressing room on the set of Rajshree Productions in Mumbai’s Film City. On the way, Khanna, who plays the leading man’s grandfather, ran into Kanwarjit Paintal, who plays a friendly in-law. The two men, both slightly bulging at the waist, exchanged pleasantries and discussed the day’s shooting schedule.

It was, in many ways, a banal moment: two spent actors casually chatting before their next takes for a regular television show. But there was something striking about it, too. Twenty-five years ago, at the very same location, these two actors were locked in battle as two of the most crucial characters in the most significant programme ever shown on Indian television: BR Chopra’s Mahabharat. (Paintal’s androgynous Shikhandi was used by the Pandavas to take down Khanna’s indomitable Bhishma in the battle of Kurukshetra.)

Every Sunday, beginning in September 1988, streets in cities across the country would grow deserted at the approach of 9 am. In rural areas, people cycled tens of kilometres to the nearest house with a television set, neighbours crowding i

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Mahabharata

Major Indian epic

This article is about the Sanskrit epic. For other uses, see Mahabharata (disambiguation).

The Mahābhārata (mə-HAH-BAR-ə-tə, MAH-hə-;^[1][2][3][4]Sanskrit: महाभारतम्, IAST: Mahābhāratam, pronounced[mɐɦaːˈbʱaːrɐt̪ɐm]) is one of the two major Sanskrit epics of ancient India revered as Smriti texts in Hinduism, the other being the Rāmāyaṇa.^[5] It narrates the events and aftermath of the Kurukshetra War, a war of succession between two groups of princely cousins, the Kauravas and the Pāṇḍavas.

It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or puruṣārtha (12.161). Among the principal works and stories in the Mahābhārata are the Bhagavad Gita, the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the Rāmāyaṇa, often considered as works in their own right.

Traditionally, the authorship of the Mahābhārata is attributed to Vyāsa. There have been many attempts to unravel its historical growth and compositional layers. The bulk of the Mahābhārata was probably co