Citrohan house le corbusier modulor

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  • The Symbolic, the Visual, the Recursive

    October 7 2009

    This was a weekly assignment from 4.580: Inquiry into Computation and Design by Prof. Terry Knight. We were supposed to extract rules out of an existing design that could be passed on and used to recreate the original.

    My team took Le Corbusier. Modulor system is one of Corbusier’s core design characteristics. He based the system on golden ratio, human measurements, Fibonacci numbers, and the double unit. It results in distinctively recognizable appearance in both his projects and housing projects influenced by him.

    For the purpose of the assignment, it was crucial for us to determine which representative detail to pick. We realized that by just extracting out elements from existing plans, shape grammar would be merely symbolic and become a shopping catalog. A rule-based system that is both flexibile and self-evolving was a must in order to develop a true design tool. We ended up building a Corb automator with recursive functions leaving only one symbolic architecture element introduced (the stair).

    Click here to play with the Le Corbusier generator.

    In class discussion it was left an open question whether the nature of architecture is symbolic, but it seemed unlikely that limited rules can describe everything in

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    Le Corbusier

    Charles-Edouard Jeanneret, who was later to take the name of Le Corbusier, was born in 1887 at La Chaux-de-Fonds, Switzerland, the son of an engraver.

    From 1901 he studied at the art school of his native town (a 19th century foundation for the training of engravers for the watch industry) and in 1902 he made an engraved clock, which was exhibited at the Turin exhibition and much admired. The young man had already shown a gift for drawing and was always to "cultivate a taste for art in a quiet little corner of my being", but his interest was first directed towards architecture by the painter and sculptor Charles L'Eplattenier, then a professor at the school.

    In 1905, when scarcely eighteen, Jeanneret received his first commission: to design and build a villa for a member of the faculty of the art school. By 1908 he had designed two further villas in La Chaux-de-Fonds, but most of the years 1907-11 were taken up with travel. He went to Italy, Hungary and Austria (where he met Josef Hoffmann, the leader of the Vienna Workshop - Wiener Werkstaette). In France he met Tony Garnier and worked in Paris for fifteen months under Auguste Perret, the celebrated pioneer in the use of reinforced concrete. In Germany he worked under Peter Behrens, whose knowle

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