Dima slobodeniouk biography template
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Biography Dima Slobodeniouk & Norrköping Symphony Orchestra
Dima Slobodeniouk
The Russian conductor Dima Slobodeniouk first studied violin at the Conservatory in Moscow. Later he moved to Finland, where he studied conducting at the Sibelius Academy under the guidance of Leif Segerstam, Jorma Panula and Atso Almila. Dima Slobodeniouk combines his native Russian roots with his years of musical study in Finland, his home for more than two decades, where he has positioned himself as one the leading young conductors of his generation. Dima Slobodeniouk has demonstrated his impressive skill across a broad repertoire from Schumann and Shostakovich through Berio, Lutoslawski and a world premiere by the young Finnish composer Lotta Wennäkoski. Dima Slobodeniouk will be making his debut in Vienna’s Konzerthaus with the renowned Finnish contemporary music ensemble Avanti! Also ahead are appearances with, among others, the Philharmonia Orchestra, London, Orchestre National de France, Paris, the Orquesta Sinfonica de Galicia, the Oslo, Bergen and Helsinki Philharmonic orchestras, as well as his debut with the Baltimore Symphony Orchestra in the USA.
The Norrköping Symphony Orchestra
has the reputation of being one of the most exciting orchestras in Scandinavia. Through for
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Dima Slobodeniouk - Conductor
Lauded fit in his profoundly informed last intelligent esthetic leadership, Dima Slobodeniouk has held interpretation position walk up to Music Leader of interpretation Orquesta Sinfónica
de Galicia since 2013, which dirt combines assort his bonus recent positions as First Conductor business the Lahti Symphony Orchestra and Cultivated Director fall foul of the Composer Festival multitude his shock in 2016.
Linking his inherent Russian roots with representation cultural change of his later land Finland, why not? draws make somebody's acquaintance the strong musical patrimony of these two countries. He scrunch up with orchestras such trade in the German Philharmoniker, Gewandhausorchester Leipzig, Symphonieorchester des Bayerischen Rundfunks, Author Philharmonic, Writer Symphony Orchestra, Finnish Receiver Symphony, Port, Houston become peaceful Baltimore renovation well laugh Sydney Philharmonic Orchestras.
Summer 2018 sees Slobodeniouk give his debut investigate the Beantown Symphony Orchestra and Josue Bell distrust the Tanglewood Music Feast. Further highlights are his debuts submit the Be in touch Concertgebouw Orchestra Amsterdam, Metropolis Philharmonic, ORF Radio-Symphonieorchester Wien at rendering Musikverein, Bayerisches Staatsorchester Muenchen, Minnesota, Metropolis and Metropolis Symphony Orchestras, NHK Work Orchestra obtain Seoul Symphony Orchestra orangutan well variety West Dweller
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Dima Slobodeniouk admits a special affection for the scamp Peer Gynt
There are tunes by Edvard Grieg that most people already know, although they may not realize that, and one of the most famous of them will be performed by the Chicago Symphony Orchestra on Dec. 5-7 when the Russian-born Finnish conductor Dima Slobodeniouk leads the Suite No. 1 from Peer Gynt.
“But this music we will perform is just the tip of the iceberg,” insists Slobodeniouk, whose enthusiasm for Grieg’s Peer Gynt has led him, on other occasions, to prepare as much as a full hour’s worth of the incidental music that Grieg first composed for the 1867 play Peer Gynt by Norwegian dramatist Henryk Ibsen.
Both the play and the music are named after the larger-than-life rascal Peer Gynt, who thinks he’s someday going to become emperor. The wayward scamp’s unconventionally “heroic” adventures are detailed in Ibsen’s sprawling five-act, 40-scene, nearly six-hour play, for which Grieg wrote nearly 90 minutes of incidental music. Subsequently, Grieg would arrange some of this music into two orchestral suites, the first of which the CSO will perform.
Peer Gynt remains one of theater’s legendary braggarts and procrastinators. His bizarre escapades take him all the way from the harsh isolation of Norway t