Julian miles davis biography movie
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LISTENING POST: Miles Davis and the ‘Birth of the Cool’
Miles Davis: Birth of the Cool, a feature-length documentary about the mercurial jazz trumpeter, composer and pop icon who died in 1991 at age 65, opens at the Plaza Theatre this Friday, Sept. 13. Directed by McArthur “genius” grantee Stanley Nelson (The Murder of Emmett Till,Freedom Riders), Birth of the Cool offers a compelling portrait of a brilliant, complex, charismatic and deeply conflicted man whose influence on the course of jazz, in particular, and popular culture more generally, rivals the impact of any artist in any field back through the ages.
It helps to bring some knowledge of the subject to the screening experience. The deeper the knowledge, the more rewarding the experience will be, especially regarding the music. While Nelson does a nice job of laying out the essential chronology and evolutionary twists of Davis’ life and career, the musical passages are edited for 21st century attention spans. Davis fans will appreciate the never-before-seen photos, home movies and concert footage, but the artistry sometimes plays second trumpet to the documentary formula.
“Music has always been like a curse with me,” intones actor Carl Lumbly at the beginning of the film in a voice-over mimicking Dav
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Miles Davis: The Birth of Cool
Within the talented fingers and piercing gaze of a laid back silhouette, Miles Davis saw the future without giving it a name. However, in absorbing the violence of his parents’ fights, a wealthy childhood would offer no protection for the future that awaited him…
… commendably takes off both the gloves with the shades and shows Miles at his very best and his very worst.
Speeding through the years in tempo with Miles’s fluttering fingers, director Stanley Nelson’s documentary keeps time with his subject and the changing decades. From honing his craft in NewYork’s 52nd Street by night and gaining a formal musical education by day, Miles wasn’t just another bebop musician chasing a departing train. Armed with an elegance and nobility way ahead of his time, he would find refuge in Paris.
Surrounded by the likes of Jean-Paul Sartre, Pablo Picasso and other luminaries, his mind was expanded beyond the confines of race and class. Returning to the US, it was to be a crash landing. Shorn from the acceptance that Paris afforded him, heroin-addiction would step into the waiting void. However, as so often the case, with his back against the wall with a play or die engagement at the Newport festival, Miles rewrote
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