Nicolas de stael biography of christopher
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I also like this quote from de Stael: "All my life, I had a need to think painting, to paint in order to liberate myself from all the impressions, all the feelings, and all the anxieties of which the only solution I know is painting." I get that too.
One of the blog's readers sent me a link to a short video of the show's curator interviewing a collector and friend of the de Stael family.
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Nicolas de Staël ()
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Figures Au Bord de Mer
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Le Concert
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Summary of Nicolas de Staël
When Nicolas De Staël leapt to his death from an apartment balcony in , aged just 41, he left behind a body of work suggesting a stunning and singular painterly vision just emerging into full clarity. Part of the second great generation of European abstract artists, he came of age in post Paris, in the company of the Tachiste painters, whose 'pure', improvisatory and non-geometric abstraction provided a similar set of contexts and constraints as Abstract Expressionism in post-war America. A more figuratively inclined artist than many of his peers, more studious in his attention to picture construction, de Staël opened up a mesmerizing space in between representational and non-representational art, inspiring figures from Jean-Luc Godard - whose early cinematography is said to have been influenced by de Staël's color-palette - to the St. Ives School painters. The vibrancy of de Staël's work, and the success he was already achieving by the mids, makes his early death all the more puzzling and poignant.
Accomplishments
- For de Staël, figuration and abstraction were never mutually exclusive categories: a truism perhaps, but one borne out with such arresting effects in his work that it presents itself as an urgent and previously undiscovered truth. H