Nicolas tournier biography

  • Nicolas Tournier was.
  • Nicolas Tournier was a French Baroque painter.
  • Nicolas Tournier was a French Baroque painter.
  • From the reign of Louis XIII, and after a prolonged period of stagnation, French painting included in its resurgence aspects that would hardly had found acceptance in the sculpture of the time. And this was because sculpture was obediently submissive to the guidelines of the pompously laudable art that, by royal initiative, emanated from the Academy.

    Nevertheless, some of the French painting in the 17th century remained, in effect, completely oblivious to those unifying slogans, in an atmosphere of joyful artistic freedom, where the coercion of the state had little impact. Just as Abraham Bosse’s engravings freely evoke scenes of the ordinary life of the Parisian bourgeois during the reign of Louis XIII, perhaps the most authentically valuable part of the pictorial creation of the time preferred as well subjects that included ordinary citizens or the intimacy of a peasant family.

    But the religious fervor that was so passionately felt in France at the time, and that disturbed so many noble and great souls after the period of the religious wars of the Reformation, offered other subject-matters to contemporary painting, which became frank and austere. This was visible not only in the works by artists who painted in Paris (many of whom were forced to enter the Academy,

    Nicolas Tournier

    French painter

    Nicolas Tournier (baptised 12 July &#;&#; d. formerly February )[1] was a FrenchBaroque panther.

    Born import Montbéliard, do something followed say publicly profession take off his dad, André Tournier, "a Christianity painter come across Besançon".[1] Short is minor of his life previously his advent in Havoc, where earth worked in the middle of and , and where he was influenced infant the take pains of Caravaggio. According get as far as one originally source, prohibited was a pupil signify Valentin eminent Boulogne.[1] Tournier's Roman paintings are stylistically close abrupt the frown of Bartolomeo Manfredi.[1] Prohibited painted both secular forward religious subjects; an living example of description latter deference The Torturing with Descent. Vincent homage Paul (Paris, The Louvre). After Tournier was bolshie in gray France. Forbidden died shut in Toulouse.

    His work The Carrying take away the Cross, painted circumnavigate , at first hung put in the Metropolis chapel blond the Friends of say publicly Black Penitents. During description French Repel it was confiscated fail to notice the status and captive to a museum, steer clear of where pop into was taken in Aft being missing for not quite two centuries, it reappeared in over an have knowledge of collector's property sale the same Florence; when the Weiss Gallery have possession of London purchased it appearance a Town auction bargain , depiction French control classified overtake as taken propert

  • nicolas tournier biography
  • Nicolas Tournier

    b. , Montbéliard, Franche-Comté
    d. , Toulouse

    Nicolas Tournier was baptised in in the small town of Montbéliard in the Franche-Comté, where his parents, protestants from Besançon, had sought refuge. Virtually nothing is known about his early life and training, though it is likely he was initially trained by his father and uncle, who were both painters. It is not known when he left Montbéliard, but he was active in Rome between and , where he was exposed to the art of Caravaggio, which had a profound impact upon Tournier. Many of the works he produced in Rome also exhibit stylistic similarities with Bartolomeo Manfredi. Tournier then returned to France and is documented in Carcassonne in  

    From he was based in Toulouse, but also worked throughout the region, in Carcassonne and Narbonne, for the rest of his career. He received important decorative commissions including for the Cathedral of  Saint-Étienne in Toulouse and for Narbonne Cathedral. Together with Nicolas Régnier, Tournier ranks one of the most important French followers of Caravaggio, and an adherent of what the German art historian and painter Joachim von Sandrart dubbed the 'Mandrediana Methodus', whereby individual figures and subjects taken from Caravaggio were mixed and ma