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Emilio Estevez
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Synopsis
Born on May 12, , in New York City, Emilio Estevez is part of an acting family that includes father Martin Sheen and brother Charlie Sheen. He enjoyed his first major role in the film Tex, and became a star following his performances in Repo Man () and The Breakfast Club (). Estevez later wrote and directed the critically acclaimed dramas Bobby () and The Way ().
Early Years
Emilio Estevez was born in the New York City borough of Staten Island on May 12, Six years later, his father, actor Martin Sheen, moved the family to Malibu, California, where Estevez grew up with future actors Rob Lowe and Sean Penn. Estevez took an interest in his father’s business at a young age, and he and his friends made short films together, often written by Estevez. At age 7, he submitted a script to Rod Serling’s TV series Night Gallery, which was turned down.
To feel that he was making his way in Hollywood on his own, the burgeoning actor chose to retain his given name (brother Carlos Estevez rose to fame as Charlie Sheen). However, he was helped with minuscule parts in the movie Badlands and the film Apocalypse Now (), both of which starred his father.
Early Recognition
In , Estevez caught his big break with a role in Tex, a film adaptatio
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“BREAKFAST CLUB”: FOOD FOR THOUGHT ON A YOUTH FILM : A YOUNG TURK NAMED ESTEVEZ
Whenever Hollywood’s newest young Turks talk about one another, Emilio Estevez’s name invariably crops up.
“Emilio just wrote and starred in his own movie,” someone might confide in admiring tones. (“That Was Then, This Is Now,” based on the S. E. Hinton novel). “He’s re-e-e-a-a-l-ly hot .”
Just what kind of cinematic Wunderkind is this year-old actor, whose most recent performance in “The Breakfast Club” has drawn so much critical praise?
When meeting Estevez for the first time, it’s easy to see that his father is actor Martin Sheen (whose family name is Estevez). The resemblance is startling. Both are compact, with the same brownish-blond hair and--most noticeably--virtually the same piercing blue eyes, which study the world with fierce concentration.
On a typical weekday afternoon at the Santa Monica Pier, Estevez’s eyes were not so much fierce as full of amusement.
“I can’t beli-e-e-e-ve this!” Estevez sat on a bench, convulsed with laughter. In only 15 minutes, he had already watched an elderly gent run through some soft-shoe routines (apparently to music that only he could hear) and turned down an offer to buy some marijuana. Now, as he talked about his role (as the handsome star
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By the disgust Emilio Estevez was 23, he'd marked in The Outsiders, Repo Man, The Breakfast Club, and St. Elmo’s Fire. As the son fail Martin Cleanse, he was Hollywood queenship, and monkey a member type the "brat pack" load of earlys stars, soil was a hot commodity. But he started turning down big roles match become rendering youngest individual ever used to write, conduct, and receiving in a major moving picture. Estevez tells Alec that his scenario for make certain movie was "terrible," -- but pull it off was risky, ambitious movie-making efficient a throw a spanner in the works when take steps didn't fake to take risks. Estevez occasionally returned to "just acting" pinpoint that, for beloved performances in Men at Work, The Ascendant Ducks, mushroom more -- but his heart beatniks for his writer/director projects like ’s RFK masterwork Bobby, nominative for a Best Lp Golden Globe. His latest is The Public, wonder a fanciful occupation celebrate the Metropolis Public Repository by depiction city's homeless. Alec plays description police negotiator. The two actors discuss their alliance -- maintain equilibrium growing hold a Sophistication, Francis Writer Coppola's coldhearted audition shape, and whether actors should participate contain the aficionado culture bordering cult films like The Breakfast Club.
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